A Love of Dangerous Harvests - A poem

A Love of Dangerous Harvests


maybe Caravaggio found
the application of fleshtone
a perfect distraction
from the real thing,

a source of trouble
that always accompanied him,
as evident by the number
of falling, fallen angels

filling the walls, walkways,
and halls of the life
known as his, whether or not
it was all actually true,

it doesn’t matter
to the puritans of the world,
those luscious grapes;
the half-naked teenage boy

how his Judas betrays
a love for Christ
unbecoming of a man
in their eyes

maybe living requires
that we harvest
what is hated,
even if

when held close
to our naked breast,
it pierces the canvas
ruins forever our cherished heart.

The Annunciation Refigured - A poem

The Annunciation Refigured


“When she saw him, she was troubled at his saying, and cast in her mind what manner of salutation this should be.”
Luke 1:29


For a long time,
there was no trouble done
to the order of operations.
Gabriel would come,
land with a heavy thud,
then lift his index finger
to quiet the woman before him.

This time, however,
the calculations were upset
by addition.

As Gabriel cleared his throat
he looked down,
saw that a golden book
had been placed
under Mary’s hand.

How dare this painter
make her literate! He must
have thought, scanning
the scene for a sign,
his eyes landing
on the message
he was about to send.

Troubled,
he began to wonder
what awful birth
had tipped the balance
of the world,
the olive branch
in his hand suddenly
meaningless,
just another limb
cut off from its source.


*Inspired by the painting “The Annunciation” by Simone Martini and Lippo Memmi, 1333.

Through Hardened Clouds - A poem

Through Hardened Clouds

swallowing a single
leaf of lemon basil,
as the lifted newspaper
settles to the ground,
a moment joy
dashed by headlines.

a rabbit passes
through the radish patch stops,
stands still, surveys
the world ahead,
imagining escape routes.

those on the bus that exploded somewhere
across an ocean
earlier in the day
didn’t have such a luxury.

i bend over,
pick up a rock and throw it,
hear it hit a fence between
the scampering of feet
fading in the turning away.

one hand to the heart,
the other grasping
a pregnant bean stalk, tears
forcing their way with the sun
through hardened clouds.

they will all ripen at the same time,
i say to myself,
as skins slides over skin,
one species across another, a flowing
so simple and easy,
it’s rarely a match
in the minds that love a good storm.

Bones - A poem

Bones



1.

Fifty-three years
to get to this point:
you and I,
the drive back
to your parent's home.

2.

I hold pencils and paper;
you carry their names
in your heart.

3.

When I was six,
you were nuclear
in your hole digging:
plunging your shovel
into the ground,
the world’s gone.

4.

Now, you carry
lists of bones
into cemeteries:
another attempt
to unearth the past,
put it back together
somehow.

5.

Did you know that,
like Dante’s exiled bones,
you were fought over
for years?

6.

Just as Francis Bacon
did with bloody meat,
you hung your emotions
and we were left
to trace in their names.

7.

When I was six,
I was afraid of the cemeteries:
both across the street,
and in our own house.

8.

Lifting a fallen tombstone
today, I disturbed the living
to re-place the dead.

9.

Names-
dirt, bones, tombstones:
all the same
in the end.

10.

Even as we near
the front door now,
all around us
the windows are rattling,
bones trying to break free.

Say - A poem

Say

Say you’re sitting on a park bench listening to the wind.
Say it’s Saturday, early morning, when only those in training
for marathons or dog walking competitions are out.
Say the grey squirrels are fighting over the fallen oak nuts,
while the lone, white squirrel is spinning the remains
of an apple almost out of sight beneath a row of shrubs.
It is a nice story, isn’t it? How the sun is slathering
your weary face with a warmth you know will be gone
by morning, how the rim of your mouth still tastes
of the coffee you had before leaving home, how
no matter what you end up doing with the rest
of the day, say tend to the weeds in the garden
or argue again with the one you love over lunch,
dinner, or the last of the newspaper, there is always
this world, working as it is, if only you would see it.

Fall Class Sutra -A poem

Fall Class Sutra - 2009

Thus I have heard
in a warehouse
in a valley
along the edge of the Mississippi
just east of Ramsey Hill, Crocus Hill, Cathedral Hill

a story of elders silently rocking,

cards shuffled, and dealt with a smirk

aprons clung to, and then let go of

light rain, snow, heavy rain, wind

Van Gogh’s sunflowers

squirrels ruining rooftops

buses appearing and disappearing

a Buddhist standing in between Hawaiian church pews

vows made, vows broken, and vows made again

French lavender fields

“We’re not in Kansas anymore”

sliding zabutons, folding chairs

slightly scraping the surface of

our words, hearts beating

to the rhythm of lines

chanted into the center:

a vast field covered in discarded tethers

a million sheep bleating

under a setting sun.

Broken Vow - A poem

Broken Vow

A hand swept across the soil, just fast enough
to snap the tender seedling from its base.

Tears sliding, making their way toward the ground
too late to save the severed, the sound

of a car backfiring off in the distance, a vow
flapping its wings, lifting into the crowded

sky, joining the crows circling, squawking,
never able to quite come to a rest, block

the urge to have it all alone, or even admit
error after. What began as a single errant word

gave birth to others until the field was covered
with sowthistle, virginia waterleaf, and mounds of clover

untended, and gone to seed, so that the murder of one
among the many might seem unimportant,

but it’s that one, the one that now is spinning
in the wind, never to be rooted again

the way it was, it is that one which is calling out,
demanding for a set of eyes open enough

to toss aside old allegiances, make way
for a world too fertile to ever be kept down.